The Hijra and the Hibakusha: Deviant 56 Bodies in Kamila Shamsie’s Burnt Shadows and Faiqa Mansab’s This House of Clay and Water

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The Multidimensional Way of Seeing: The Emotional Landscape of the Malayalam Film Ividam Swargamanu (It is Heaven Here)

Useful Links About Journal Article Processing Charges Current Isssue Previous Issue Coming Issue Login Online Submission Contact Us Your Name (required) Your Email (required) Subject Your Message The Multidimensional Way of Seeing: The Emotional Landscape of the Malayalam Film Ividam Swargamanu (It is Heaven Here) Download [69.77 KB] Recent Articles Family (Hi)story as a Secular […]

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Covid-19 and the Faces/Phases of Biopolitical Fallout

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Neoliberal Feminism and Islamophobia in Lipstick Under My Burqa

Useful Links About Journal Article Processing Charges Current Isssue Previous Issue Coming Issue Login Online Submission Contact Us Your Name (required) Your Email (required) Subject Your Message Neoliberal Feminism and Islamophobia in Lipstick Under My Burqa Download [70.71 KB] Recent Articles Family (Hi)story as a Secular and Communal Narrative: An Analysis of Blood Brothers: A […]

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Body and Performance: Probing into Masculinities of Male Bodies in Paava Kadhaigal

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Yakshi Unplugged: Interrogating Malayalee Masculinity in the Popular Culture of Kerala

Useful Links About Journal Article Processing Charges Current Isssue Previous Issue Coming Issue Login Online Submission Contact Us Your Name (required) Your Email (required) Subject Your Message Yakshi Unplugged: Interrogating Malayalee Masculinity in the Popular Culture of Kerala Download [103.98 KB] Recent Articles Family (Hi)story as a Secular and Communal Narrative: An Analysis of Blood […]

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One-Man-Led Movement: Visceral Realism and Roberto Bolano

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Mother-Daughter Relationships in Susan Abulhawa’s Mornings in Jenin and The Blue between Sky and Water

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